Saturday, December 31, 2011

The State of Mindless Movies

So, another year has come to and end. This is the first full year for the Mindless Movie Marathon. It was also the first full year where we each skipped some movies – I didn’t see Contagion, but because Evan doesn’t do reviews anymore, I doubt anyone realized that the M³ was represented. I left Evan off the ticket for Kung Fu Panda II (I took my nephew instead) and Harry Potter 8 (although we saw that one later on Blu-Ray, about a month after our Harry Potter Marathon).

Anyway, I thought I’d give a rundown of all the reviews and columns posted this past year, in case anyone missed one and desperately needs to catch up. Like last year, it’s organized by quality (well, by how much I liked the movie – Theatre, Blu-Ray, DVD, Free on TV, and Avoid at all costs) instead of date. One thing I notices was that there were less Theatre movies and more Blu-Ray and DVD movies than I would have liked. On the other hand, we didn’t have any Free on TV or Avoid movies. Maybe we’re getting more discerning. I was hoping that wouldn’t happen because I want to like movies. Big, dumb movies. Oh well, on with the show …

Theatre Movies

The Green Hornet – Seth Rogan as a superhero? Yes, but only because Jay Chou actually does the work.

Battle Los Angeles – The critics may not agree with us (do they ever?) but we found it action packed and very exciting.

Paul – Funny, funny movie.

Fast Five – Turn your brain off, as well as any understanding you have of physics.

Kung Fu Panda II – Animated fun. Just as good as live action, and plenty funny.

Transformers: Dark of the Moon – Also includes reviews of the previous two.

Horrible Bosses – Incredibly funny, R-rated comedy.

Harry Potter and the Deathly Hallows: Part 2 – Includes part 1 as well.

Captain America – Great action movie with funny lines. Pretty much my prototypical movie

Sucker Punch – I liked it a lot, but no one else did.

Conan the Barbarian – Gratuitous action all the way through, and dual-wielding swords.

Sherlock Holmes: Game of Shadows – Guy Ritchie knows how to make a good movie.

Blu-Ray Movies

The King’s Speech – I downgraded it to be fair to action movies.

Source Code – Good plot and acting, but not enough action for me.

Thor – Giant spectacle, but not quite enough action. Maybe if the next director is worse than Kenneth Branagh, it’ll be better.

Priest – Vampire movie with some cool things, but standard action

Pirates of the Caribbean: On Stranger Tides – Not quite as good as the previous incarnations (which are included).

Super 8 – Tries to harken back to E.T. but didn’t really become the phenomenon it wanted.

X-Men: First Class – Good movie with good actors.

The Green Lantern – I like it, but no one else did.

Cowboys & Aliens – a bit too serious for its title.

Killer Elite – a bit too long for its own good, but it’s a pretty decent movie none-the-less.

Moneyball – Brad Pitt doing Brad Pitt things (acting well) and a song that’ll get stuck in your head. Plus, math!

The Three Musketeers – Silly, silly movie. What did you expect. Widest disagreement ever between Evan and myself. We can no longer talk about this movie without getting into a heated exchange.

Immortals – Pretty good movie, but some scenes that’ll make people wince.

DVD movies

The Mechanic – Not much action. For Jason Statham, that’s unacceptable.

Drive Angry 3D – Plenty of action, but it was even stupider than we prefer, and we prefer pretty stupid.

Hanna – Not much action. Tries to be a good movie, so critics ate it up. We did not.

30 Second or less – Not enough action for an action movie, not enough comedy for a comedy movie. Still funny though.

Colombiana – Not a lot of action. Quite disappointing.

Drive – Again, not a whole lot of action. More quick, brutal violence.

In Time – So much potential, but so many standard movie things it drove me nuts.

Tower Heist – Not as good as the critics would have you believe. Not much action or comedy.

So besides all the reviews, if there wasn’t a movie to go to see, I would write something on my own. Perhaps of a movie I saw on DVD, or something about movies. I also started to branch out into other entertainment areas (mainly games). So here’s the collection of those.

The Year in Movies (2010) – This column from last year.

Mindless Movies 2011 – Looking forward to all the movies released last year.

Nothing Happens! – My favourite dramas. Not much action or comedy, but good anyway.

Death Race Duology – I reviewed both recent Death Race movies.

Valentines Day – My gripes about how love is portrayed in Hollywood.

Humour – Different kinds of funny in movies and TV

Religion and Film – How religion is used in entertainment

Dragon Age II – I played it through three times, and wrote down a bunch of stuff from that.

The Crucible – One of my friends was in this play, so we went to support her.

Game of Thrones – I watched the first two episodes, and was a little disappointed. Then I read all the books, but didn’t review them, because it was August by the time I finished.

If Life was an RPG – I realized there were a lot of analogies between life and games.

Sports-Break: New Kickoff Rules – I did some math to evaluate how a rule change would affect the NFL season. I have no idea if it’s actually holding true or not.

Big Trouble in Little China – Hilarious movie from the 80’s.

The Worst Survivor Ever – After whatever apocalypse comes, I won’t do so well.

Pilot Season – Every year, a bunch of new shows debut, and most get tossed out.

Star Wars: The Old Republic – I got the chance to Beta Test this game for a weekend about six weeks before it came out

Nostalgia – How we perceive things from our childhood, and how that affects what we like now.

Star Wars: The Empire Strikes Back – classic movie I want to watched before SWTOR drops.

Star Wars: Return of the Jedi – Finishing off the classes trilogy before SWTOR drops.

So that’s been the year in Mindless Movies. Thank you to all who’ve regularly stopped by. Thank you to all who just dropped by once and wondered what the heck this was all about. Thank you for all the feedback. Thanks to everyone who came to a movie with us. And a big thanks to Evan, who constantly puts up with the mindless movies I like, and my endless flow of comments during them. Here’s to much more mindlessness.

Wednesday, December 21, 2011

Sherlock Holmes: A Game of Shadows

I had to work yesterday. It’s not usually a bad thing, but I had intended on taking the week before Christmas off. And the week afterwards. And a few more days, just because. So having to work put a dent in those plans. I think working yesterday was to make up for how much fun I had the previous evening.

Evan and I (and his lab partner, and his cousin) went to see Sherlock Holmes: A Game of Shadows. The trailers were alright. We saw the trailers for Rock of Ages, which starred a number of rock songs from the 80’s, as well as some celebrities. It seemed to capitalize on nostalgia, and you can see my post a few weeks ago for my views on that. Not that I really blame a movie studio for making something like this. People try to recreate the best parts of growing up for the rest of their lives, and frequently pay a lot of money for that. We also saw the trailer for The Dark Knight Rises. I thought it might make Evan pull a Scanners, but his head remained intact so we could watch a trailer for John Carter of Mars (based on some pulp books in the 30’s, before we learned – or cared – that it was too cold and oxygen-deprived to live) and Jack the Giant Killer. It looks to be based on the fairy tale of Jack and the Bean Stalk, but it had knights and armies and all sorts of gussied up stuff. It was also by Bryan Singer, of X-Men fame. It made me think we’ll soon see Brett Ratner's The Three Little Pigs, with Chris Tucker as the second pig and Charlie Sheen's return to the big screen as The Big Bad Wolf. ("No Charlie, it's 'I'll huff and I'll puff and I'll blow your house down.' Not 'I'll huff all your Blow.")

The movie itself opens with narration by Watson, reading in his head the book he’s writing about the latest adventure. I don’t mind opening (and closing) narration, but when it’s by one of the main characters and basically renders most of the movie as a flashback, you know that the spoiler alert narrator is going to survive. Anyhow, we soon get an explosion, and then Irene Adler (Rachel McAdams) carrying a package down the street. Holmes tries to abscond with it, and after some witty banter, her escorts face off against him. A slow-motion action scene takes place inside his head as he pictures how the fight will go, and then the realtime fight takes place, exactly how he pictured it.

He catches up with Irene in an auction, who’s giving the package as payment to some old dude. The package turns out to be a bomb, and Irene slips away while the old guy freaks out. Holmes manages to save them, but not before the old guy also flees. Holmes sees him later, dead anyway, shot with a poison dart outside the auction house.

I supposed I should mark the preceding paragraphs with a spoiler alert, but all these take place before the title screen, so I thought it was alright. Anyway, the bomb-then-poison-dart thing was a bit of a problem for me. Why have a backup plan like that? Why not use the one with incredible collateral damage as plan B? Better yet, why not use both, with the bomb covering up the dart? Oh whoops, spoiler alert … they do that later in the movie. Also later, they have another backup plan. Guy with a knife fails, so they send a chaingun. Really? I mean, kudos for not always thinking your plans will always succeed, but they’re wildly disproportionate to each other.

Anyhow, back to the movie. Watson meets up with Holmes the day before his wedding, and much banter occurs. And many, many funny lines and scenes. I mean, I knew it would be funny, but I underestimated the amount and the depth of the funny. I laughed a whole lot.

Anyway, the action and humour barrel along from one location to the next, with a lot of interesting camera work, including scenes that fill us in on what Holmes is thinking, or what he’s done (how this works inside of Watson’s narration, I don’t know). And then there’s a scene in a forest, and the interesting camera shots get incredibly good. Man, does Guy Ritchie know how to shoot a movie! Slow-motion to fast-motion cuts. Shots through bullet holes in trees. He really gets the most out of the camera.

He also gets the most out of call-backs. There’s at least one Chehov’s gun that I remember, and there’s some tragic call-backs to lines at the beginning of the film, when Watson and Holmes are talking. And there’s also a shout-out to some of the later Sherlock Holmes books (besides the obvious), but I won’t spoil it here.

This is definitely a theatre movie. Lot’s of action, lots of humour, lots of interesting camera shots. Lots of other interesting stuff to hear. Almost no boring parts at all. But then, I may have been distracted near the end when the female lead asked “What do you see?” and Holmes answered “Everything.” Perhaps he doesn’t have the filter that people get when they grow older. It’s a filter that babies don’t have, either, but it keeps out all the boring we constantly see. We don’t need to constantly be aware of every tiny thing in our room, just what we’re concentrating on right now. Of course, Guy Ritchie knows this, and takes great advantage of it. When you see this movie, I’ll explain it to you.

Tuesday, December 13, 2011

Return of the Jedi

This past weekend, I took the time to watch Return of the Jedi. Mind you, I also played Skyrim and World of Warcraft, so it's not like I was taking time away from curing cancer or watching progress bars go by (I put in a lot of overtime at work, most of which consisted of watching progress bars go by in preparation for a software upgrade). Anyway, to end a tangent, Return of the Jedi was watched and thoroughly enjoyed, as always.

Does anyone else get irrationally excited about the opening crawl? Am I the only one who still feels like a little kid, even after seeing various opening crawls at least dozens of times? At least this one is more accurate than The Empire Strikes Back. No mentions of Luke leading anything, except a rescue of Han Solo, and Darth Vader isn't doing anything stupid. He is, in fact, doing something fairly smart - looking for his son.

Anyway, the shot pans down from the stars to rest on the forest moon of Endor (is there a desert moon? An aquatic moon? a volcanic moon? Do equally adorable native teddy bears live on those ones?) and the latest Death Star (still under construction). Then a Star Destroyer flies overhead and a shuttle emerges from it's hangar. Just so you know, none of the movies actually open with a shot of a Star Destroyer. A New Hope has a corellian corvette first, then the star destroyer. This one has the uncompleted death star, then the star destroyer. Secondly, why isn't Vader on the Executor? It's his personal flagship, he should be taking it wherever he goes.

Anyway, he lands on the Death Star and meets up with Jerjerrod, who subtly complains about the schedule (something I am intimately familiar with, as working in an engineering office means I'm surrounded by people who constantly complain about schedules). Vader suggest he take it up personally with the Emperor, who'll be arriving shortly. I suggest not taking so many people away from their jobs to greet visiting VIP's, but they didn't hear me a long time ago in a galaxy far, far away.

We wipe-cut to Tatooine, where C-3P0 and R2-D2 are about to unwittingly infiltrate Jabba's palace. Jabba has Han Solo in Carbonite ("Just like I ordered on E-bay. I would order from the seller again, especially if they sell the 'Chewbacca' variety.") and the droids are step one in the plan.

Step two is a bounty hunter named Boushh coming in with Chewbacca in custody. Jabba and Boushh get in some tense negotiations about the payment under threat of thermal detonation (Boushh gets a lot of bang for the buck. He's really explosive at the negotiations table. Anything could set him off. Okay, I'm done).

Late at night, after what TVTropes calls a Big-Lipped Alligator Moment (the song and dance show. What the hell was that about?) Boushh sneaks into the room where Han's being kept (he just hangs around. He's cold until you get to know him, but he's a hard man to know. Okay, now I'm done) and presses some buttons on the side of the carbonite slab. Han glows red and starts thawing out. Once he's free, he collapses to the floor.

I like was Lucas did here. Han could've popped out of hibernation and been fine, but they gave him a whole bunch of symptoms. He's wet and shivering, his voice is shaking, and he's blind. Harrison Ford plays it really well. He's hunched over and sort of withdrawn into himself.

Anyway, the quiet night was all a ruse by Jabba just to see if someone would try to rescue Han, and Jabba was right. Boushh takes off his helmet to reveal himself as Leia, and now I have to use female pronouns. Anyway, Jabba's awake and watching the touching reunion, and then breaks the bad news that they're still prisoners, and Leia will have to wear the infamous gold bikini, spawner of geek fantasies.

Part two of the plan didn't go so well, so part three is put into action. Luke himself enters the palace, and uses Jedi mind tricks to get an audience. Jabba has enough of that, and tosses him down into the Rancor's pit. Luke uses cool nerves and quick thinking to defeat it, and its trainers cry. Who decided that fat men crying was going to be funny? It's totally a double standard with beautiful women, but I realize that double standards are pretty common in movies, so I shouldn't get too hung up on it.

Anyway, Jabba gets really angry and decides to throw the whole lot of them into the Sarlacc, which is a giant, disgusting mouth in the sand. It comes with tentacles and a beak to grab passers by pull them into its gullet, where they'll "find a new definition of pain and suffering as [they're] slowly digested over a thousand years."

They go out to the great mouth in the sand, and Luke goes all hero on ... well, pretty much everybody. Lando (undercover as a guard) snags control of the skiff they're on, but gets thrown off when it's fired on by a cannon on the main sail barge. Leia strangles Jabba (that bikini didn't hide much, but apparently it hid a lot of muscles), and then Luke jumps onto the barge to kill it. He fires the cannon into the deck, then swings onto the captured skiff with Leia. Han had pulled Lando up, so they all fly away as the sail barge explodes behind them. In real life, that explosion likely would have killed them. Mind you, in real life, that explosion probably wouldn't have taken place. Anyway, they leave Tatooine behind and Han thanks Luke.

While the Millennium Falcon goes to rendezvous with the Alliance Fleet, Luke goes back to Dagobah to finish his training. But Yoda's dying, and Luke doesn't need any more training anyhow. To become a full Jedi knight, though, he must confront Vader. Yoda tells him he has another relative just before passing away.

Before departing, Vision-Obi Wan comes along. Luke blatantly asks him why he didn't tell Luke about his parentage, and Obi Wan says his point of view thing. But it's pretty much just Obi Wan lying (or George Lucas not thinking about sequels when he did Star Wars). Anyway, Luke realizes that Leia is his sister ("wait, the only girl I’ve kissed onscreen?" Ew!), and Obi Wan convinces him to face Vader.

But that would be playing into the Emperor's plans. He's foreseen that Luke will come to Vader, and then together they'll be able to break Luke and lure him to the dark side, just like his father. We'll see how that goes. He's also on the Death Star, and instructing Vader about fleet deployment.

Luke meets up with the rest of the alliance in the middle of a briefing about the attack on the Death Star. It's protected by a shield being projected from the forest moon of Endor, so a team will have to blow up the facility there (led by Han), while the fleet attacks the Death Star once its shields are down (led by Lando in the Millennium Falcon). Luke, Leia, and Chewbacca volunteer to help fly the shuttle that deposit the strike team on the forest moon of Endor. I'm not sure why they're needed, because it looks like flying the shuttle is a one person job (which Chewie mostly handles while Han nags at him).

Vader senses Luke is on the shuttle, but lets it land so he won’t be killed (or something like that). They trek through the forest, but stumble on some imperial scouts, and a speeder-bike chase breaks out. Luke and Leia take off after two and manage to take one out after Luke jumps on the back of it. Two more scouts join in, so Luke peels off to deal with them while Leia stays on the tail of the first one.

All three scouts get killed before they can report back to base (so the Imperials won’t know the rebels are there), but when Luke meets back up with Han and the strike team, Leia’s not there. In fact, she’s met the indigenous folk – Ewoks. Together, they manage to take down two more imperial scouts, so Wicket (the Ewok) takes her back to his village.

When the rest of the team goes looking for her, they get caught in an Ewok trap that Chewie sets off (whoops). They all get taken prisoner, except for C-3P0, who’s regarded as a diety. The rest of the team is supposed to be sacrificed for a feast in the droid's favour, but Luke uses the Force to convince the Ewoks that would be a bad idea.

They’re set free, and Threepio uses his story telling facilities to tell the tribe about the rebels plight. I thought this would take forever, but apparently Threepio’s a bit more succinct with history than when he’s introducing himself (“Hello! I am C-3P0, Human-cyborg relations. I am fluent in over six million forms of communications! If you-” *Thump*) so they get through it in an evening, complete with fairly realistic sound effects (Darth Vader breathing, lightsaber fighting, AT-AT’s walking). The tribe adopts them, and agrees to show them a path to the bunker.

Luke and Leia have a tender moment outside the hut. He tells her they’re siblings, and he has to confront Darth Vader, to try to turn him away from the Dark Side. He goes off just as Han comes out. He and Leia have a tender moment too (well, for them).

The next morning, things go well. The Ewoks show them to the backdoor of the bunker, and the rebels manage to break in and start planting charges. However, right as the Emperor is telling Luke he knows all about the rebel plans, the strike team is ambushed and captured by a legion of Imperial forces. To top it off, the rebel fleet has flown in, only to discover the trap. Zounds!

Luke is in the Emperor’s throne room, being taunted about the failure of the fleet and the strike team. The strike team is in the hands of the imperials. The rebel fleet is fighting for its life against a host of Imperial ships. Things look bleak, until the Ewoks decide that now is the time to enter the fray.

C-3P0 and R2-D2 provide a nice distraction, and soon all the imperials are besieged under sentient furballs. And the tactics are generally alright. Separate out the imperials and overwhelm them with numbers. Yeah, some of it’s a bit silly, and the imperials seems to be out of the fight whenever they get knocked over. But it’s mostly alright.

Han and Leia use the distraction to pick off imperials and try to get back into the bunker, but things go badly when Artoo gets shot and shorts out.

Things in space are a bit worse. Without the shield down, there’s not a whole lot the rebel fleet can do, and the Death Star has just proven it’s not so helpless by firing its planet-smashing laser. Ouch.

Luke’s had enough and grabs his lightsaber, but Vader’s there to stop him from killing the Emperor, who just laughs. And I can see why. He’s taunting Luke, trying to drive him to the dark side, but I also think he’s relishing the thought of driving Darth Vader into hurting or killing his son. It would push him further to the dark side and solidify the hold Palpatine has over him.

The duel goes on for some time, but Vader eventually pushes Luke’s buttons when he reaches into his son’s mind and pulls out images of Leia. He has a daughter too? Maybe he can turn her as well. Luke is furious at the thought of the Emperor getting his hands on Leia, and savagely beats back Vader, eventually cutting off his hand. However, the artificial limb reminds him of what he lost as well (or perhaps that he and his father are alike) and he deactivates and throws his lightsaber away. He faces the Emperor and refuses to give into the dark side.

On the moon, things are well in hand for the rebels after Chewie captures an AT-ST (chicken walker) and blows the snot out of most of the other imperials. Han uses the walker to get into the bunker, and this time they manage to blow it up without any ambushes.

The shields go down, and the fighters make a beeline for the Death Star. Unlike the previous version, this time they’ll actually have to fly into its centre and pop it from the inside. Lando, Wedge, Tycho, and a few other pilots make the run, eventually splitting up to try to draw their opponents away from their true target. Lando and Wedge continue on to the middle of the massive installation, flying through increasingly small passageways. Eventually it opens up to the cavernous heart, housing a power regulator that can bring the whole thing down. Lasers and proton torpedoes fly, and the power regulator is no more. Now to outrace the fireball on the way out. Wedge and Lando make it, but the TIE fighters chasing them do not.

Meanwhile, the Emperor finally realizes he’ll never turn Luke, and so he’ll have to kill him. He decides to do it in the most painful manner possible, and pumps Luke full of electricity from his hands. Nowadays, that’s standard stuff. But back in 1983, when no on had seen it before? Suddenly we realize that Palpatine is a Dark Jedi too. And we realize how powerful dark Jedi can be. Holy Crap that must have been awesome!

Luke begs his father for help, and Vader is torn. He’s obeyed his master for so long. But his son … his son still believes in him, still feels the good in him, even if he himself does not. His son’s love matters more than obedience, and so he picks up his master (sustaining mortal injuries) and hurls him into the depths of the station.

Together, father and son stagger to their shuttle (wait, did none of the imperials notice the second-in-command of their entire Empire was nearly dying? And he was hanging out with the guy on all the “Wanted” posters all over the place? I guess not). Vader has redeemed himself, and is now Anakin. He wishes to see Luke without his mask, with his very own two eyes, before he dies. Luke helps him take off his mask and prison for so many years, and Anakin smiles gently and tells Luke to tell Leia that he was right about their father. Listen for the incredibly quiet imperial march going on in the background. Adds so much to the scene for so little music.

Anyway, Luke drags his father’s body aboard the shuttle and pilots it away from the exploding Death Star. Once back on the Forest Moon, he places it on a bier and burns it, the remnant suit of a man no longer constrained by it. Luke may have finished the symbol, but it was Anakin who defeated Darth Vader.

Well, enough about philosophy and other deep stuff. Luke rejoins the others as the Ewoks host a party with some of the best music in the trilogy. He sees a vision of Obi Wan, Yoda, and a much younger Anakin, smiling as they’re finally at peace, and we get scenes of celebration from across the galaxy before the credits roll.

For my money, this is the best Star Wars. Sure, people don’t like the Ewoks, but I do. It might be that people also go for darker endings, whereas I’m a sucker for happy ones. Also, (excepting the prequels), this one has far more action than the other ones. At the end, it has a ground fight, a space battle, and a lightsaber duel all going at once. And sure, there’s the big space in the middle where the only action is the speeder bike chase, but it’s not so bad, especially with Han Solo around cracking jokes.

And with that, I’m fully ready to play Star Wars: The Old Republic. If only BioWare would agree with me and let me have early access already.

Wednesday, December 7, 2011

The Empire Strikes Back

I watched The Empire Strikes Back a few nights ago, and realized that I probably need to keep a running diary the next time I do something like this. There were too many things I thought of that I've probably forgotten most of them by now. Regardless, here are a few thoughts I've put together about Episode V.

The Opening Crawl! Who doesn't get excited about that? Actually, I got pre-excited, because that opening music was also the DVD menu music, so I heard it and got all tingly, only for me to have to stop leaning back and enjoying myself and start having to use the remote. Blockbuster movies with iconic openings shouldn't have to have a DVD menu. You should just pop it in and go. If you want the menu specifically, that's what the DVD Menu button on the remote is for. Anyway, for the actual start of the movie, I paid attention to the words. And they're pretty lame and dumb. First off, the freedom fighters are actually the Rebel Alliance, and they're not led by Luke Skywalker. At that point, they're led by General Rieeken. Luke's just a commander, way down the chain of command. That's why he's out setting scanners while the generals and higher ups get to sit in the (slightly) warmer base. Secondly, if the galaxy has billions of planets, why is Darth Vader sending out thousands of probe droids? You're off by a factor of a million, there, Darth.

And speaking of Darth, when did we start calling everyone in the Sith by Darth this and Darth that? The Emperor was supposed to be Palpatine. Just that. Even the first few books only had Joruus C'Boath and Exar Kun. It wasn't until later that people decided Darth was a title instead of a name. Now go back and listen to Obi-Wan talk to his former pupil again, and it's really awkward calling him by his title instead of his name. Try replacing Darth with Lord or Sir whenever Obi-Wan speaks, and you'll get the picture.

Anyway, we see The Executor (the giant Star Destroyer) at the beginning. In lore, it's supposed to be 8 km long. The other star destroyers are only supposed to be 1.6 km long. But there's no way that The Executor is only 5 times bigger than the others. It dwarfs them by several time. It must be 30 or 40 km long. It's massive!

Anyway, it sends out its probe droids, which jet away. No one pauses to think that the Empire must have wasted incredibly large amounts of money on disposable hyperdrives. These things must go to thousands of different systems, most of which reside several light years apart. Maybe the Empire's accountants are steeped in the dark side of the Force. *waves hand* "You have been paid today." "[monotone] I have been paid today."

One of the probe droids crashes on Hoth (or as I like to call it, Saskatchewan on a good day). What a (plot-driven) coincidence! Luke goes over to check it out, but gets attacked and knocked unconscious by a wampa. Mmmmm ... Jedi ... The Force adds extra flavour!

Han goes back to base and has a ... not heart-to-heart with Leia, but I'm not sure of the part of the body responsible for sarcasm. Anyway, Harrison Ford and Carrie Fisher have great chemistry! "I would just as soon kiss a Wookiee" "I can arrange that!" *stalks off* "He could use a good kiss!"

But Han doesn't hear back from Luke, so he goes outside (at night, in the freezing cold) to track him down. Meanwhile, Luke manages to save himself from the wampa by calling on his rudimentary powers of the Force. Unfortunately, the Force doesn't tell him to do prudent thing and kill the wampa, then stay inside the cave, out of the wind. Stupid Force, where are its survival instincts anyway?

So Luke stumbles out into the icy cold and bitter wind. He soon collapses, but Obi-Wan appears to him in a vision and tells him to marry his wife and take her to Bethlehem, where she'll bear the Son of God. Oh wait, sorry! I'm getting my science fiction mixed up. *dodges thrown Christian debris.* No, Ben tells Luke to go to Dagobah and train with the great Jedi Master Yoda ("Y.O.D.A. Yoda. Yo yo yo yo Yoda.")

Han comes riding through the fading vision ("scuse me, old man") and finds Luke. Han's tauntaun collapses from the cold (Han's alright though, 'cause he's the star of the movie), so Han cuts its stomach open with Luke's lightsaber and shoves his hypothermic friend inside, then goes about setting up their emergency shelter.

The next morning, they get found by Rogue Two (Han's cell phone got no bars out there, so he couldn't call in that they were alright and Leia got worried and sent out a search party). Luke gets dunked in a Bacta tank to heal him all up, but the probe droid is still out there. Han and Chewie investigate and manage to trigger the droid's self-destruct, but it's already sent its findings back to The Executor. They've already gotten a number of false needles in the haystack, but Darth Vader is sure of this one. Plus, no one wants to disobey, what with the strangling and all.

So the Empire invades Hoth. The Admiral in charge doesn't do a good job, and gets strangled (tele-strangled, no less. Vader's not even in the same room). The captain (Piett) gets promoted, and sends down his walkers.

These walkers seems wildly impractical. Sure, they withstand almost all blaster fire, but they're vulnerable to tripwires. Tripwires! Even Ewoks could have handled them. Oh, wait, bad example. Also, they appear to have maybe 2 guns total (in lore, there are supposed to be some more on the sides) that can shoot in a cone in front of them. The cone is pretty skinny, so it looks like they're awfully bad for anything other than enemies convinced of the merits of frontal assaults. Then I thought that maybe there used to pacify more primitive civilizations. After all, if 10 m high walkers suddenly showed up in medieval times, we would have fled in terror, or bowed down and worshipped our new (vengeful?) gods.

The rebels on foot, having no sense of strategy (or the common sense to spread out) get shot at by the massive mechanical beasts. Rogue Squadron leads the counter-attack in newly-refitted snow speeders, and do an alright job. Luke flies cover for Wedge as his tail-gunner (Janson) snags a walker with a tow-cable and wraps it up. The walker falls to the ground, and suddenly it's armor is useless. A few blaster shots and it explodes. Apparently the armor effectiveness is proportional to altitude.

After Dak (his tail-gunner) is killed, Luke gets shot down. This is the first of two shots following Luke in on a crash. The first one has the camera right behind Luke's head. The second one (Luke's crash on Dagobah) has the camera right in front of Luke. Both of them look down the nose of Luke's craft as it crashes into whatever (snow, then water). Irvin Kershner likes certain shots, and this is one of them.

After the evacuation is done with the aid of a giant ion cannon that can disable star destroyers (and gee, why don't they bring them everywhere they go? Useful things, those ion cannons), Luke splits off from the rest to go to Dagobah. Han gets Leia out on the Falcon after she can't get to her transport, but bad problems ensue. Specifically, the hyperdrive doesn't work. So when they get pursued by Vader's fleet, they can't outrun them. Both Han and Chewie meddle into the guts of the Falcon, begging the question of who's flying it? They leave the controls unattended (well, Leia's there but not doing much) for a few minutes. But there are star Destroyers right on their tail, requiring many delicate manoeuvres to out-pilot. They eventually run into an asteroid field, because the enemy would have to be crazy to follow them (or just scared spitless of Vader). The enemy follows them in.

Han flies them closer to a large asteroid, and here we get the second of the shots that Irvin Kershner likes. The Millennium Falcon flies away from the camera, then loops around and comes back. It happens twice more - once when they finally get out of the asteroid field and are being chased by Star Destroyers (the loop back to attack their pursuers before clinging to the back of the bridge pylon) and once at the end of the movie, when they loop back around to pick up Luke, who’s dangling from a conveniently placed weather vane (some thoughtful designer thought it should go right under the garbage chute. Right). Anyway, this time they continue the loop to fly into a rather large cave.

Vader gets a call from the Emperor, wanting to know progress, so the Executioner pulls out of the asteroid field while the smaller star destroyers continue to get pounded by rocks. Whenever Darth Vader and the Emperor talk, I always get this in my head. "What the hell's an Aluminum Falcon?!?"

Meanwhile, Luke takes his X-wing to Dagobah. His instruments short out, and he miraculously lands in the tiny patch of land that also contains Yoda. After Artoo gets eaten and vomited back out (great camera work there, actually. We get a shot of Luke's eyes as he follows R2-D2's trajectory, but we don't actually see the droid flying through the air. It's implied, only done very well), Luke sets up camp. It's invaded by a short green creature who'd fit perfectly in with the cast of the Muppets. Really, Yoda's first appearance totally reminds me of a small, green, force-sensitive Fozzie. He takes Luke back to his hut, and then reveals his true nature, while an incorporeal Obi-Wan tries to convince Yoda to train Luke, possibly because they're so much alike. Look out for the part where Luke casually tosses a large snake of the table before ladling some soup into his bowl. Anyway, Yoda gives in, and the training montage begins. (It's a good thing Han Solo didn't have to come here, because there are snakes everywhere!)

Luke pretty much fails spectacularly at being a Jedi throughout this movie. He's quick to draw and ignite his lightsaber, even striking first when he faces Vader on Bespin. He fails in the cave (although he does learn an important bit of foreshadowing). He fails at lifting his X-wing, because he doesn't believe. He finally fails to complete his training, rushing off to save his friends instead of becoming the person who could save the galaxy. The only good thing he did on Bespin was to take R2-D2 there (who saved his friends' butts) and learn about his father.

Really, Luke has his best Jedi moment when he's in the wampa cave on Hoth. He calms himself down and uses the Force to grab his lightsaber. This is especially brilliant because up to that point, he had no idea that the Force could be used for Telekinesis. Up to that point, it had only been used for influencing minds, blocking stinging bolts from a remote with a lightsaber, and improving aim in an X-wing. Oh, and talking once your dead. So the fact that Luke used it for something so physical is rather impressive.

Mind you, he's supposedly had about 3 years after he blew up the Death Star to train, but the only mentor he had taught him for roughly 3 days before he was killed. So Luke's been figuring all this out on his own, and still managed to save his own bacon with his powers.

Anyway, we see the training (and failure) montage, and Yoda explains that sometimes Jedi will get visions. Past, present, futures. Right at that instant, Luke gets a vision (how convenient) of his friends being tortured, so he decides to rush off and save them. Yoda and Obi-Wan urge him to stay, but he's adamant. He packs up his X-wing (and cleans more snakes out of its turbine intakes) and takes off. All that time in the swamp, his cockpit must have smelled like feet.

Back in the dark asteroid cave, everyone's trying to fix the ship. Han and Leia have a moment, but it's spoiled by C-3P0. Leia also spots something outside the ship, so the crew go outside to investigate, putting on gas masks. Here's what gets me about this scene, that I only realized this time I watched it. THERE'S NO AIRLOCK IN THE CAVE! IT'S ALL VACUUM! YOU'D NEED A SPACESUIT. THEIR BLOOD SHOULD BE BOILING, YOU STUPID, STUPID WRITERS!!! Seriously, given what they find out about the cave (it's the digestive tract of a worm), you could expect some of the folds of its intestines to trap air. But then, how would the Falcon fly in and out of that? They fly right out of the mouth into space, implying that the inside of the worm is all vacuum. And yes, it has atmosphere and mist. And Mynocks. How has this been overlooked for so long?

Anyway, they rush back into the Falcon and take off before they get trapped inside the worm, escaping from its mouth. Of course, if they left from its mouth, they probably entered through its other end. Do you know what that means? It means Han Solo might be a hotshot pilot and all around scoundrel, but he literally does not know an ass from a hole in the ground!

After escaping, they're promptly pursued by the Imperials again. The Empire has just hired bounty hunters to look for them (Bossk, Zuckuss and 4-LOM, Dengar, Boba Fett, and IG-88a), but it looks like they won't be needed. Oh, whoops, the Falcon pulls a nifty move and hooks itself to the back of the bridge of the star destroyer. Apparently, there are no windows back there ("hey, there's a giant piece of junk stuck back here!")

They wait until the Imperial fleet breaks up to go to hyperspace, then float away from with the trash that's standard procedure to dump before certain actions. They're closely followed by Boba Fett, in his ship Slave One. Of course, it looks like Slave One is maybe 500m behind the Falcon, leaving us to ask the question "What, don't you guys have a radar?" No, no they don't.

This whole scene begs another question. The Falcon is on Hoth, with a broken hyperdrive. So they take off and dodge into an asteroid field, still in the Hoth system. They emerge from it and get attacked by Star Destroyers, still in the Hoth system. They pull their "gnat on a hippo" routine until the ships go to hyperspace, upon which they float away, still in the Hoth system. Then, Han says they can make it to Bespin. Wait, is Bespin in the Hoth system? No, Han implies it's in a different solar system. HOW CAN THEY DO THAT WITH A BROKEN HYPERDRIVE?!? Actually, this fact has been pointed out before, but it's amazing how many things in this otherwise great movie make me irrationally irritated.

Han, Chewie, Leia, and C-3P0 arrive on Bespin, and manage to wrangle a parking spot on the floating city. Lando Calrissian (man, Billy Dee Williams is charmingly good here) comes out to meet them, toys with Han, and becomes smitten with Leia, blowing Threepio completely off. Threepio gets distracted by a potential R2 unit and wanders off, only to get blasted (poor Anthony Daniels. So good at what he does, yet he's reduced to a robot. A dead robot). Soon they get invited to lunch, only for Boba Fett to show up with Darth Vader. Han shoot him, but Vader blocks the shots with his hand (awesome!) and pulls the gun from Han with the Force.

After enjoying a pleasant meal together (presumably), the rebels get tortured. Just for fun, or possibly just to break their spirit. Chewie has his eardrums assaulted with loud, painful sounds (Justin Bieber?) while Han gets strapped into bed of something that looks quite painful. It's said to fire every pain receptor in the body, which makes sense, given the screams we hear from outside the closed door.

Chewie finally gets some piece and quiet, so he partially reassembles C-3P0. He saved the parts from being disintegrated by Ugnaughts, who decided to play Wookiee in the middle with Threepio's head. Really, you're playing that with a creature that can rip your arms off? Smart guys, these Ugnaughts.

Anyway, Chewie puts Threepio's head on backwards. It's too bad droids aren't plug-and-play. But this leads to the question of why would Chewie screw up like that? He's incredibly bright, from a technologically advanced society, but can't tell a droid's front from his back? Actually, if you look carefully, you can see Chewie quietly urffing to himself. It's possibly he did it just to see if it could be done, or maybe he did it just to piss C-3P0 off. I can see anyone doing that to the most annoying guy of their crew, can't you? I could totally see Leonard putting Sheldon together backwards, just to annoy him. Sheldon wouldn't be able to sit on his favourite spot properly, which would bring no end of delight to Leonard.

Han and Leia get dumped in Chewie's room, and Lando comes in to explain. He had to get the Empire off his back, and that was about they only way to do it. Han will be frozen in carbonite to test the process, to make sure that it's safe for Luke.

Han and Leia admit their love (sort of) right before he's frozen, and then off he gets packed onto Slave One. Lando turns on the stormtroopers to save Han once he realizes the Empire will never let him out of their clutches. Leia convinces Chewia that he's reasonable, and they flee to the Falcon. If you look closely, the stormtroopers have even worse aim here than in A New Hope, and this time there's no excuse for it. Even when R2-D2 spends far too much time dancing around in the middle of a firefight, no one thinks "Hey guys, lets aim for the slow-moving, mobility-impaired robot that constantly hacks our systems and gets those guys out of jams." Nah, they just aim for the walls around our heroes, and boy do they get shot up. Maybe it's the guns that are defective, because with nearly 30 millenia of space-faring, war-bringing technology, apparently no one's thought of putting an auto function on them. What the hell does the Empire use for suppressive fire? They have to pull the trigger each time they need to shoot!

Meanwhile, Luke lands and gets manoeuvred through Cloud City like a diabolical rat maze. He eventually winds up in the carbonite freeze room, where Darth Vader steps out to confront him. Luke ignites his lightsaber and takes the first swing, and they do awkward battle (Luke's still learning the basics, and Vader is mostly mechanical). Vader eventually forces Luke to fall into the Carbonite Freezing device, but he leaps out when Vader isn't looking. Vader turns back to see Luke dangling from some hoses. He takes some whacks at him, but Luke puts his vine-climbing skills to good use (remember that shot? Back on Dagobah, of Luke climbing a vine with Yoda on his back?) by climbing higher. He flips down, grabs his lightsaber, and the battle is rejoined.

Eventually, Luke ends up facing Vader on a catwalk that actually complies (marginally) with OHSA. It has actual guardrails and everything. Too bad guard rails are not really lightsaber-proof. Anyway, Luke loses his hand and nearly his sanity when Vader reveals the truth about his parenthood ("Luke, I am an actor being voiced by James Earl Jones!") No, No that's not true! That's Impossible! NOOOOOOOOOOOO! Anyway, Vader offers Luke the chance to rule the Galaxy together, but Luke (say what you want about his Jedi skills, but he damn sure has the courage of his convictions!) chooses death instead and falls down a hole, slides down a tube, and manages to hang onto the aforementioned weather vane. He calls out to Leia in the Force, and so we get the last of the loop arounds (again, you've had intra-galactic travel for millenia, but no one's invented the handbrake u-turn?) to rescue him.

The movie ends with them (possibly) outside the galaxy, although the background of stars seems to counteract that possibility. If they were outside the galaxy, the other stars would be grouped together in galaxies of their own, not spread out like that. And most of them would be too dim to see. Anyway, Luke gets a replacement hand that looks and functions exactly like a real hand, Lando and Chewie go off to start the plan to rescue Han, and Leia sticks around to help Luke recuperate. Then the credits roll while the Star Wars theme music plays. Yay!

Despite what you may think from reading this post, I absolutely love this movie. Not quite as much as Return of the Jedi (because Jedi had better fights and a happier ending), but quite a lot. Possibly more than A New Hope, but I'm not sure. Anyway, step one in preparation for Star Wars: The Old Republic is something something something ... complete.

Thursday, December 1, 2011

Nostalgia

“Where’s mah column!?!” you’re asking yourselves. Actually, you’re not, and I’m very sorry for characterising you as redneck white trash (or internet lolspeakers). A combination of work and Skyrim have kept me from writing anything engrossing. I’ve managed to cobble together some thoughts on nostalgia for you. I should warn you, though, that I may have to shut the Mindless Movie Marathon down for a few weeks so I can huddle in my room and lightsaber my way to a level 50 Jedi Consular when Star Wars: The Old Republic comes out on December 20th.

This was going to be a post about Star Wars. One of the things I wanted to do before The Old Republic comes out (based on the advice of a columnist at Joystiq) was watch the Original Trilogy again. I had seen Star Wars on my birthday at my brother's house, so I want to get in Empire Strikes Back and Return of the Jedi over the next few weeks. But I got sucked in to Skyrim during my free time, and even a bit into World of Warcraft (a new patch dropped with a lot of content I wanted to try out), so I mainly played video games instead of movies yesterday.

But I got to thinking about why I liked Star Wars so much. Certainly, part of it is because many other people do, and I want to fit in. It's also because it's and action-adventure with Han Solo and Lightsabers (but only briefly of Han Solo with Lightsabers, but it was pretty funny). Also, Spaceships! But I think one of the main reasons I love Star Wars is nostalgia.

It's a bit surprising because I'm not that nostalgic a guy (it could be that I'm just not old enough to be nostalgic). Regardless, I'm generally not one to dismiss newer things just because they're newer, and I try and be rational when comparing them to the earlier counterparts.

The entertainment industry is particularly susceptible to this. Movies, music, TV and video games were all said to be better 20, 30, 40 years ago. Now, it could be a psychological thing. The good feelings we had of listening to music or watching TV as a child are sort of "imprinted" on our minds, and so every time we hear that music or watch that show (or movie), those feeling come back, like an endorphic Pavlov's bell.

Unfortunately, it also throws rationality out the window. The one exception I'll make is for music. While older music isn't my thing (Trance and dubstep haven't really been around that long), a lot of it appeals to too many people to say it's just nostalgia. The Beatles hold up, as do Led Zeppelin, The Rolling Stones, Sex Pistols, AC/DC, and even some stuff that isn't classic rock. The only thing that's really improved is the quality of the recording, which has little to do with the talent of the artist. I think it might be because chords and melodies change little over time, or they appeal to us regardless of the time in which they were recorded.

Contrast that to something like Video Games. They've been around on mainframes since the late 60's, and in homes since the Atari (1972, I believe), but definitely hit it big with Nintendo. Since then, they've gotten bigger and inarguably better.

I downloaded an Atari emulator a while ago, and spent about 5 minutes playing it before the nostalgia wore off and I realized how crappy it is. Sure, you can remember the fun that Super Mario Bros brought to you as a child, but if you play it now, you'll realize how difficult (and blocky) it is. Its second sequel (Super Mario Brothers 3) was a huge deal. So massive they actually released an entire movie just to advertise for it: The Wizard, about an autistic boy who's fantastic at video games. It had Fred Savage, Beau Bridges, and Christian Slater in it. What's not to love? It also had the immortal line "I love the Power Glove - it's so bad!"

But if you plopped a kid down in front of Super Mario Brothers 3, or in front of Grand Theft Auto IV, guess which one he'll say is better? The graphics are better, the gameplay is better, the story is better (although you don't have to call up Luigi after every level and take him bowling). And while I respect people who like Super Mario 3, if they say it's the pinnacle of gaming, they couldn't be more wrong (alright, they could be, but it would be hard).

I would much rather play through Mass Effect II again before I play through Chrono Trigger, and I like playing through Chrono Trigger. It's just that graphics are so much better, and the action so much better, and the music so much better (granted, Jack Wall in MIDI might not sound as great as it does in real life) that it's hard to say that Chrono Trigger is the greatest RPG of all time.

People try, though. Part of it is that it's hard to compare things from two generations. Babe Ruth wouldn't have smacked so many homers these days (mind you, Babe Ruth probably would've been suspended innumerable times). And any NFL team today (even NFC West teams) would've rolled over the Steel Curtain from the 70's. That's why sports generally compare how good a player is to how good he does against his chronological peers, not against everyone that's ever played. It's unfair to expect anybody to ever get 215 points in an NHL season again, because times have changed and the neutral zone trap killed hockey.

Similarly, video games get compared to their peers. That's why Ocarina of Time is held up on such an incredible pedestal. It was a stupendous technical achievement, along with fantastic story-telling and great gameplay. At least, that's what I've heard. I played Twilight Princess first, and now Ocarina looks (and generally plays) like crap. If I had played OoT and then TP, I probably would be among those stating that OoT is better (slightly). But if an older game is rendered unplayable due to the quality of a new one, doesn’t that mean the newer one is better? Not when Nostalgia is factored in.

Movies are the same way to, especially around the 90’s. That was when CGI was introduced, and suddenly we got Pre-CGI and Post-CGI movies. Plots are generally the same for both, and it doesn’t really affect dramas or most comedies, but older action movies get a lot more love than they deserve (or newer ones a lot more hate) just because of what computers can do these days. But CGI opens up vistas of possibilities. Transformers? Where would they be without CGI? And even if most things are still done live action, the advancements in today’s technology (say, for pyrotechnics or camera control) still allow for much wider variety than what we have before. You think Die Hard would be a good movie if it were released as is today? You think it’s possible to do Die Hard 4 in 1988? And yet, which gets held up as the better action movie? For my money, I’d actually go with the latter. Because I’ll Live Free (of nostalgia) or Die Hard.