This week, Ted was on the docket. It's the name of a movie, not the
name of a guy. We took Evan's labmate with us, because he's a fan (presumably
of Seth MacFarlane). We tied the preview game this week, with The BourneLegacy, The Campaign, Premium Rush, and Django Unchained. Or maybe The Campaign
was only part of the pre-show show, and there's another one I'm forgetting.
Whatever.
Anyway, the movie opens up with Patrick Stewart narrating how a
talking teddy bear came to life. He also capitalizes on his previous serious
acting roles, much like how Leslie Nielsen (RIP) made Airplane so funny because
he had done so much serious stuff beforehand. I think it would be impossible to
watch his previous stuff and not laugh. Even for the dramatic roles. Once you
go funny, you don't go back. Unless you start funny. Then you can go dramatic
(see: Carrey, Jim).
Anyway, we get up to the present day after the opening credits.
Look, another man-child. At least he's not living with his parents. This movie
could have been produced by Judd Apatow for all of his notes that it hits.
Let's see: Funny actor, check; hot chick, check; casual drug use, check; random
pop-culture reference, check. Oh, sorry, that last one was on my Seth MacFarlane
checklist. Because he wrote, directed, and voiced the eponymous bear. He was
heavily involved, and it shows. There are all sorts of gags that are similar to
Family Guy, but better. They tend to stand up on their own, and don't rely on
cut-aways. Sure, there are a few, but they're really funny. For instance, there
was a pastiche of dancing parody scenes that was a flashback of how Mark
Wahlberg and Mila Kunis met. Both An Officer and a Gentleman (but not the
factory scene) and Saturday Night Fever were sent up. And probably some more
that I didn't get.
Anyway, the movie is about Wahlberg trying to grow up so he can be
more to his girlfriend than just a boyfriend, but his best friend is really
immature and keeps dragging him back into man-childhood. Which is probably
bound to happen, as his best friend is a living teddy bear.
Many gags, foul language, and drug use ensues, as well as a
surprisingly poignant but also hilarious climax. There's also an extended
reference to the 1980's Flash Gordon movie throughout that actually becomes
a minor plot point, but what do you expect? It's Seth MacFarlane.
I was really tickled by how far the actors would go for a joke.
Wahlberg gets spanked with a TV antenna, and then gets a TV dropped on his
groin. Ryan Reynolds appears for maybe 30 seconds, all for a gay joke with Patrick
Warburton. Tom Skerrit appears, just for fun. Giovanni Ribisi plays the overly
obsessed fan of Ted, and really gets
down to "I Think We're Alone Now" in the most hilariously creepy way
imaginable. Jessica Barth (little known actor, but did some voices for Family
Guy) had a ball, getting to fly off the (crazy) handle at Mila Kunis over an
innocent question ("I've had a baby. I can kick your ass!")
It's a theatre movie for me. Yes, it has an overly contrived ending,
but that fine. The humour is absolutely hilarious. Maybe not quite up to 21 Jump Street's
calibre, but definitely up there. If you're a fan of Family Guy, or really, an
biting humour, you'll probably love Ted. It's not for the faint of heart, but
(surprising many people) it has an awfully sweet one. You know, for a raunchy
comedy.
On an unrelated note, I'm not sure how many more movies we're going to get to see. We might boycott Spiderman, and then we'll have to wait a few weeks to see The Dark Knight Rises. And how do we feel about that movie?
Yeah.
You should reconsider boycotting Spider-Man. It's not great, but it's good, and actually does a better job of showing Peter taking "With great power comes great responsibility" to heart than the Raimi films. Plus, practical effects!
ReplyDelete